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EARACOUSTIC AUDIO VSA-MAX VoidSilver Stalker
> Full-Width Titanium Diaphragm - Tesla Moving Coi
> The Ultimate Female Toxicity Hunter
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Descriptions:
> Deconstructing "Female toxicity" From The Physical To The Soul.
> Development Philosophy
> In the exploration of HiFi, "Female Poison" is an almost divine paradoxical existence - it is both the purity of a flowing spring and the deadly temptation of a knife blade cutting through the eardrums. Lizin dissected more than 3000 recording of Asian female voices and discovered that the essence of the poison is the "non-linear tremor" of the mid-frequency density of the voice. The mission of VSA Void Silver Hunter is to solidify this abstract perception into a tangible acoustic entity with the cold rigidity of the titanium diaphragm, the violent drive of the Tesla magnetic field, and the mathematical paranoia of the frequency response cuvre.
> Quantum Fusion Of Future Acoustics And Metal Aesthetics
> Design Ideas
> Inspiration is traced back to the narrative core of "Dark Night Hunting" - the silver blade cuts through the silence, and the starlight of the face-covered void shatters into sound waves, a metaphor for the dual aesthetics of clarity and aggression in the female voice.
> Visual Violence
> Cavity
> The use of five-axis CNC cutting aviation-grade aluminum-magnesium alloy, the surface of the "shaped streamline" process, light refraction, such as the Milky Way was torn apart by the remnants of the shadow, the cold wrapped in a dangerous atmosphere.
> Wire
> 4.4 balanced head plus 3.5 three-dimensional two-in-one pure copper base plug, Leeds coaxial cluster structure core, oxygen-free copper silver-plated composite conductor, 408 multi-strand core, covered with a high-transparent PVC layer, the plug engraved snake markers, high-definition and lossless, the current transmission such as the speed of light through the void.
> Titanium Diaphragm Of Killing Poetics
> Full-Width Titanium Deposition + Tesla Super Magnetic Engine
> Full-Width Titanium Deposition
> In the zero gravity vacuum chamber, using magnetron sputtering process, 99.97% pure titatnium crystal layer grows on the 0.003mm polyimide substrate, and then add ceramic and composite metal coating on the surface, the rigidity of titanium-plated diaphragm compared to the traditional 220% increase in the quality to reduce the 35%, as light as a cicada's wing, the transient response up to 0.02 microseconds, the trembling of the human voice, the strings of the vibration of the particles are accurately frozen. 
> Tesla Super Magnetic Engine
> Dual toroidal N52 neodynium magnets constitute 1.6T magnetic flux density, dual magnetic circuit reverse superposition eliminates magnetic leakage, driving titanium membrane vibration speed is increased by 170% compared with the traditional moving coil, and segmentation distortion is suppressed to below 0.002%, so theat the vocal conjugation is as precise as a scapel.
> Dual Chamber Resonance Control
> Front Cavity
> Acoustic wool filter absorbs redundant energy below 200Hz, eliminating "muffled".
> Rear Cavity
> Alloy sound tube guides the spiral diffusion of overtones above 10kHz, the depth of the sound field breaks through the intracranial limitations.
> Toxicological Appraisal Of Frequency Response Curve
> Low Frequency (20Hz - 200Hz)
> Volume attenuation of 1dB, but the depth of the dive due to the rigidity of the titanium membrane directly to 15Hz. Listening to Aimer's "Night of the Sixth Class Star", electronic low-frequency is like the snort of the beast of the abyss - the presence of the majestic but never cover the human voice, every drum hit is like a tide of darkness to support the singer's lone boat.
> Midrange (200Hz - 2kHz) 
> 4.2dB at 1.6kHz, beeswax luster for Jasmine Leung's throat rhyme; at the same time 1-2kHz are is steeply elevated by 5dB, forging Kana Hanazawa's bites into hardened silver needles, sweet and painful intertwined in the moment of stabbing the cochlea, the mid-range frequency density is like liquid mercury flowning, but not the slightest bit bloated.
> High Frequency (2kHz - 20kHz)
> Violent coupling of titanium diaphragm and Tesla magnetic field, while 4-5K smooth lift, Faye Wong's air sound particles in "Reserve" are amplified to the finest detail; after 6kHz rolls down at a slope of -1.5dB/oct, the toothy sound is like an ice blade scratching through the velvet, cold and without cuts.
> Extreme High Frequency (20kHz+)
> The ultra-high frequency resonance point of the full-size Titanium breaks through 25kHz, and the butterfly's wing-like overtones in Suara's "Constellation", which have long been obliterated in most headphones, are transformed into intracranial stardust, weaving an "airy halo" of the female voice.
> Auditory Murder In The Name Of Science
> VSA-MAX is not a headphone, but a murder weapon for "female drug addicts". When the titanium diaphragm cuts sound waves with quantum precision in a 1.6T magnetic field, details that have been blurred by other headphones - the slightest flutter of the laryngeal knots, the flick of the tongue, and the humidity of the breath - will become the fingerprints of this acoustic murder. It uses the paranoia of the frequency response curve to delcare the mediocrity of "equalization"; it uses the violence of technology to deconstruct the fragility of sensibility.
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Specifications:
Driver Unit: 11.4mm Full Amplitude Titanium Diaphragm Dual Magnetic Circuit Dual Cavity Tesla Dynamic Coil Unit
> Sensitivity: 110dB
> Impedance: 32 ohms
> Frequency Response Range: 5Hz - 40kHz
> Wire Specifications: 4.4mm + 3.5mm 2-in-1 408 Core Litz Oxygen-Free Copper And Silver Plated Wire Mixed Weave 0.78mm 2-Pin 1.2m Wire Length
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